The color that you choose for your photo studio walls can either make or break your photography experience. It is therefore critical to analyze a range of factors before settling for any color.
Choosing a color for your studio walls often boils down to your preference. However, there are times when you’ll need to consider different aspects to ensure you get the most from your shoots, for instance, the size of your room, availability of natural light, desired effects and so on. In this article, we will highlight some of the top tips to help you pick the right color. This list is not exhaustive, so you might want to learn more about studio painting and colors at https://www.janovic.com/
Choosing a color is something to be mindful of depending on the kind of photography that you decide to do. For instance, if you do a lot of portraitures, you can go with white, as it allows light to bounce off the walls and give the client a soft tone to their skin. Other incredible studio colors include soft grey, dark grey, and black.
To help you get started, here are some interior color tips for your photo studio walls:
Size of your studio
The size of your studio plays a critical role in the kind of wall color that you’ll choose. If you have a small studio, then you’ll want to use your walls as bounce surfaces. But if the room is larger, with tall ceilings, then you won’t likely get a lot of kick from that reflective surface (or light source).
Avoid colorful hues
Colors are beautiful – you can paint your studio red, green or blue and so on. However, you’ll end up getting cast of your subjects – their dress, or skin will have some reflection of the color. So, using these colors is often not recommended. Instead, you can go for something neutral that warms the skin tone. But if you want to play it safe, go for matte white or matte grey.
White, as we all know is a reflective surface; but silver or foil wall will reflect the light a lot more, and overexpose the subject. A good idea would be to go for a matte white, as opposed to glossy white to avoid the glare – especially if you are shooting up against the wall.
The reason why people love grey is that it is a little neutral – it is not too dark as to absorb the light, or too bright to reflect the light. Using grey helps you eliminate any kind of spill or casting or color because it will absorb all that into the wall.
Pro Tip: If you prefer black, you should keep in mind that a black studio will absorb any light. So, you won’t have any light bouncing off to your subject. And if you prefer white, remember that it will allow light to bounce off your walls, and if you are not conscious of it, may cause overexposure.